- The Return of the Soldier. 1982: An strong cast and effectively set and costumed as a period piece. Faithful, more or less, to the surface of Rebecca West's masterpiece.
- A Quiet on the Western Front. 1930. An artistic triumph of the film medium, this depiction of the German side in the Great War has matchless evocation of trench warfare. The film is captivating and fast paced, without gore.
- Passchendaele. 2008. Hard not to respect a hard-working Canadian who rises above the limitations of the acting profession to independently craft an homage to his family heritage and a well-intentioned contribution to Candian identity. The film combines war and romance.
- Bright Young Things. 2003. Stephen Fry's adaptation of our course novel, Evelyn Waugh's between-war satire Vile Bodies. Comedic with a move to tragedy, the movie is an implied satire on the Paris Hilton set. Evocative of the period, and redolent (to use a synesthetic adjective) of many of the novel's ideas.
So, I'll hear your preferences this week in class.