ENGLISH 340 D1.00
STUDIES IN 20TH-CENTURY BRITISH LITERATURE BEFORE 1945
Instructor: S. OGDEN
SPRING 2009
STUDIES IN 20TH-CENTURY BRITISH LITERATURE BEFORE 1945
Instructor: S. OGDEN
SPRING 2009
Rats, Gas & Shell-Shock: the Literary Scars of WWI
The success of contemporary British novelist Pat Barker's 1990s Regeneration trilogy and its subsequent film adaptation has opened new interest in World War One and indicates that Britain may at last be ready to confront the full atrocity of that unnecessary, unfinished and unconscionably mismanaged war. So unbearable were life and death alike in trench warfare that works of imagination in Britain struggled to face its full horrors squarely. Indeed, the literary history of 20th Century Britain to 1945 - including works as diverse as Lady Chatterley's Lover and Lord of the Rings - is traceably scarred by festering wounds of the "War to End all Wars." In this course we will read and examine several now-neglected masterpieces by important British writers of the period, and see how each in its own artistic terms both succeeds and fails to respond adequately the (perhaps literally) unspeakable horrors of the trenches. We will look too at a few of the great First World War poets, including Sassoon and Owen, who, writing as they did from front-line experience, more immediately recorded those terrors, like gas warfare and shell shock, not even named before their devastation was accomplished.
NOTE: The BBC comedy series Blackadder Goes Forth, set in World War One, will be seen in clips throughout the course to give dramatic background and satiric analysis of the events. Testimony to the unresolved status of World War One in Britain, laughter turned to cathartic sorrow when first broadcast of the series' poignant conclusion produced national weeping.
REQUIRED TEXTS:
West, Rebecca The Return of the Soldier 0-14-118065-X Penguin
Forester, C. S. The General 1-87785339-9 Nautical & Aviation
Ford, Maddox F. Parade's End 0-14-118661-5 Penguin
Woolf, Virginia Jacob's Room 0-14-018570-4 Penguin
Waugh, Evelyn Vile Bodies 0-316-92611-6 Black Bay
Recommended Text:
Silkin, John, ed. First World War Poetry 0-14-118009-9 Penguin
The following texts will be placed on reserve in the library: Women's Fiction & the Great War by Raitt & Tate; Regeneration by P. Barker; The Great War in British Literature by A. Barlow; The War in the Trenches by A. Lloyd.
COURSE REQUIREMENTS:
10% Productive participation
20% Mid-term paper (approx. 2000 words)
30% Group field assignment
40% Final paper (approx. 3500 words)
The success of contemporary British novelist Pat Barker's 1990s Regeneration trilogy and its subsequent film adaptation has opened new interest in World War One and indicates that Britain may at last be ready to confront the full atrocity of that unnecessary, unfinished and unconscionably mismanaged war. So unbearable were life and death alike in trench warfare that works of imagination in Britain struggled to face its full horrors squarely. Indeed, the literary history of 20th Century Britain to 1945 - including works as diverse as Lady Chatterley's Lover and Lord of the Rings - is traceably scarred by festering wounds of the "War to End all Wars." In this course we will read and examine several now-neglected masterpieces by important British writers of the period, and see how each in its own artistic terms both succeeds and fails to respond adequately the (perhaps literally) unspeakable horrors of the trenches. We will look too at a few of the great First World War poets, including Sassoon and Owen, who, writing as they did from front-line experience, more immediately recorded those terrors, like gas warfare and shell shock, not even named before their devastation was accomplished.
NOTE: The BBC comedy series Blackadder Goes Forth, set in World War One, will be seen in clips throughout the course to give dramatic background and satiric analysis of the events. Testimony to the unresolved status of World War One in Britain, laughter turned to cathartic sorrow when first broadcast of the series' poignant conclusion produced national weeping.
REQUIRED TEXTS:
West, Rebecca The Return of the Soldier 0-14-118065-X Penguin
Forester, C. S. The General 1-87785339-9 Nautical & Aviation
Ford, Maddox F. Parade's End 0-14-118661-5 Penguin
Woolf, Virginia Jacob's Room 0-14-018570-4 Penguin
Waugh, Evelyn Vile Bodies 0-316-92611-6 Black Bay
Recommended Text:
Silkin, John, ed. First World War Poetry 0-14-118009-9 Penguin
The following texts will be placed on reserve in the library: Women's Fiction & the Great War by Raitt & Tate; Regeneration by P. Barker; The Great War in British Literature by A. Barlow; The War in the Trenches by A. Lloyd.
COURSE REQUIREMENTS:
10% Productive participation
20% Mid-term paper (approx. 2000 words)
30% Group field assignment
40% Final paper (approx. 3500 words)
No comments:
Post a Comment